Where Tech and AI Meet the Art of Living Creatively

This entry is part 1 of 9 in the series Woman, Mother, Me

The Siren Call

The house was the last kubo by the mangroves,
green plastic chairs stacked by the door,
near a graveyard of boats where cats bred in the hull.

Someone said she lived there.
Or only came when the tide was low.
Someone said she was a prostitute.

I got confused by this.
The only prostitute I knew was Mary Magdalene.
She cried. They washed her feet. I thought that was the deal.

I saw her once.
I was ten. Maybe twelve.
Old enough to be looking
at things I didn’t understand.

She didn’t look at me.
Still, I remembered
as if she had.

It was low tide.
She sat on a stool
combing her hair with a fork.
Not a metaphor or a children’s story.
A dinner fork.

She looked the way animals do in dreams.
No malice. No welcome.
A stillness that watched back.

I thought she wasn’t beautiful.
That feels important.
Not what men wanted.
In the judgment of my youth,
I hadn’t learned yet what men call desire.

Later, a boy dove past the breakers.
Didn’t come back.
Lured by sirens, they said.

Years later: a city apartment with green chairs.
The faucet leaks in bursts.
I eat fish from a can,
shared with the cat.

Some nights
I hear singing through the walls,
like seafoam fizzing
against tide.

I don’t believe in sirens.
I just remember her
when I shouldn’t.

That’s all.

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April Bewell

Writer, poet, and creative AI explorer, I’ve spent the last 20 years weaving words across journalism, copywriting, ghostwriting, and storytelling. My work spans poetry, historical fiction, essays, and literary criticism, often exploring memory, identity, and the strange, beautiful ways we make sense of the world. When I’m not writing, I’m probably deep in a book, experimenting with AI, or chasing after the perfect cup of coffee. My blog at april.pagaling.com is where all these worlds collide. Writing, creativity, mom life, and everything in between.

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