There Are Women You Cannot Invent

Support and Free Palestine

There is no shelter like this in my memory.No flicker of light through a bullet hole.No childโ€™s cry next to the hiss of a propane tank. But I read she brought soupto a room filled with strangers.That she poured it without a word. That somewhere outside,a drone blinked like an eyesearching for grief it hadnโ€™t […]

Fermentation

Village houses near rice terraces fields. Ifugao province. Banaue, Philippines

In my lagalag years, I spent a year in Ifugao. On weekdays we would climb the rice terraces at dawn, wrapped in thick fog, visiting homes scattered across the mountains. One of my favorite memories from those days is learning to make tapuey, carefully enveloping the bubud in rice, a gentle, almost sacred gesture I’ve […]

On Meandering

I never knew the word flรขneuse until I read it in a poem. A woman who wanders the city without purpose. I had to laugh. It felt like being seen through a word I had no business knowing. A meandering girl. What a strange but delicious kind of threat. Who gave her time to meander? […]

The Siren Call

The Siren Call The house was the last kubo by the mangroves,green plastic chairs stacked by the door,near a graveyard of boats where cats bred in the hull. Someone said she lived there.Or only came when the tide was low.Someone said she was a prostitute. I got confused by this.The only prostitute I knew was […]

How The Morning Finds Me

Dog walking on footpath during autumn morning

๐˜๐˜ฐ๐˜ธ ๐˜ต๐˜ฉ๐˜ฆ ๐˜”๐˜ฐ๐˜ณ๐˜ฏ๐˜ช๐˜ฏ๐˜จ ๐˜๐˜ช๐˜ฏ๐˜ฅ๐˜ด ๐˜”๐˜ฆ ๐˜›๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆ ๐˜ช๐˜ด ๐˜ข ๐˜ด๐˜ช๐˜ญ๐˜ฆ๐˜ฏ๐˜ค๐˜ฆ๐˜บ๐˜ฐ๐˜ถ ๐˜ธ๐˜ข๐˜ฌ๐˜ฆ ๐˜ช๐˜ฏ๐˜ต๐˜ฐ.๐˜๐˜ต ๐˜ณ๐˜ช๐˜ฏ๐˜จ๐˜ด ๐˜ญ๐˜ช๐˜ฌ๐˜ฆ ๐˜ข๐˜ฏ ๐˜ข๐˜ญ๐˜ข๐˜ณ๐˜ฎ,๐˜ฎ๐˜ฐ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ต๐˜ข๐˜ณ๐˜ช๐˜ญ๐˜บ ๐˜ฅ๐˜ช๐˜ด๐˜ฑ๐˜ญ๐˜ข๐˜ค๐˜ช๐˜ฏ๐˜จ๐˜บ๐˜ฐ๐˜ถ๐˜ณ ๐˜ณ๐˜ฆ๐˜ข๐˜ด๐˜ฐ๐˜ฏ. ๐˜›๐˜ฉ๐˜ฆ ๐˜ฃ๐˜ฆ๐˜ฅ ๐˜ด๐˜ฉ๐˜ช๐˜ท๐˜ฆ๐˜ณ๐˜ด.๐˜›๐˜ฉ๐˜ฆ ๐˜ธ๐˜ช๐˜ฏ๐˜ฅ๐˜ฐ๐˜ธ๐˜ด ๐˜ฉ๐˜ฐ๐˜ญ๐˜ฅ.๐˜›๐˜ฉ๐˜ฆ ๐˜ง๐˜ญ๐˜ฐ๐˜ฐ๐˜ณ๐˜ฃ๐˜ฐ๐˜ข๐˜ณ๐˜ฅ๐˜ด ๐˜ญ๐˜ช๐˜ด๐˜ต๐˜ฆ๐˜ฏ. ๐˜›๐˜ฉ๐˜ฆ ๐˜ค๐˜ถ๐˜ณ๐˜ต๐˜ข๐˜ช๐˜ฏ ๐˜ฉ๐˜ข๐˜ฏ๐˜จ๐˜ด ๐˜ญ๐˜ช๐˜ด๐˜ต๐˜ญ๐˜ฆ๐˜ด๐˜ด,๐˜ง๐˜ข๐˜ญ๐˜ญ๐˜ด ๐˜ญ๐˜ช๐˜ฌ๐˜ฆ ๐˜ข ๐˜ง๐˜ฐ๐˜ณ๐˜จ๐˜ฐ๐˜ต๐˜ต๐˜ฆ๐˜ฏ ๐˜ด๐˜ฉ๐˜ข๐˜ธ๐˜ญ๐˜ฐ๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ด๐˜ฉ๐˜ฐ๐˜ถ๐˜ญ๐˜ฅ๐˜ฆ๐˜ณ ๐˜ฐ๐˜ง ๐˜ฎ๐˜ฐ๐˜ณ๐˜ฏ๐˜ช๐˜ฏ๐˜จ. ๐˜๐˜ต ๐˜ช๐˜ด ๐˜ข ๐˜ด๐˜ค๐˜ข๐˜ณ๐˜บ ๐˜ต๐˜ฉ๐˜ช๐˜ฏ๐˜จ๐˜ต๐˜ฐ ๐˜ธ๐˜ข๐˜ฌ๐˜ฆ ๐˜ข๐˜จ๐˜ข๐˜ช๐˜ฏ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜ฏ๐˜ฐ ๐˜ช๐˜ฅ๐˜ฆ๐˜ข๐˜ฉ๐˜ฐ๐˜ธ ๐˜ต๐˜ฐ ๐˜จ๐˜ฆ๐˜ต ๐˜ต๐˜ฐ ๐˜ข๐˜ฏ๐˜ฐ๐˜ต๐˜ฉ๐˜ฆ๐˜ณ ๐˜ต๐˜ฐ๐˜ฎ๐˜ฐ๐˜ณ๐˜ณ๐˜ฐ๐˜ธ. ๐˜๐˜ฏ ๐˜ต๐˜ฉ๐˜ข๐˜ต ๐˜ฅ๐˜ฆ๐˜ข๐˜ง๐˜ฆ๐˜ฏ๐˜ช๐˜ฏ๐˜จ ๐˜ด๐˜ช๐˜ญ๐˜ฆ๐˜ฏ๐˜ค๐˜ฆ,๐˜ต๐˜ฉ๐˜ฆ ๐˜ฅ๐˜ฐ๐˜จ […]

Two Altars

Taluntunan, Mogpog, Marinduque

Iโ€™ve been thinking a lot about how the same sunset feels different depending on where you stand. This piece, Two Altars, is my attempt to capture this, one version from the mountains, one from the sea. Itโ€™s written in haibun form (prose + haiku), and it means a lot to me. Hope it brings you a quiet moment.

NCMH. A Visit

A fragmented visit to the National Center for Mental Health. Forms, corridors, and forgotten names. This poem is a record of survival between boxes left unchecked.

Shepherd / Pastol ni Lamberto Antonio

At first glance, Lamberto Antonio’s “Pastol” feels like stepping into an Amorsolo painting. You know the ones – golden light, carabaos in rice fields, that idealized Filipino rural life we’ve all seen in museums.

Night Swimming

By the Beach. Torrijos, Marinduque.

Night Swimming I practiced hurtlike how pearls are made,methodically, with attention,this art of controlled wounding. This is how. First,you learn to treasure what harms you,learn how beautiful things comefrom bodies in distress. But the ocean knows better.It knows the differencebetween cultivation and calcification,between keeping and containing.The pearls do not need your midnight tending. Watch how […]

The Witness

A scarecrow in an empty field.

The Witness by April Pagaling (in reply to โ€œWala Nang Tao sa Sta. Filomenaโ€) You stand in the stubbled field,a scarecrow stripped of purpose,shirt faded to the hue of stillborn harvests. January light knifes sideways,spilling shadows longer than your body,stretching beyond the momentof its making. I have witnessed this scene before.Escalanteโ€™s fencepost scarecrowdraped in a […]